M. Moretti – Abstract

The essay examines the artistic relationships between the courts of Spain and Urbino at the time of Francesco Maria II della Rovere. The paper also focuses on the influence of Spanish culture in the commissioning of paintings, especially in relation to the order of the Clerics Regular Minor that was received in the duchy at the behest of King Philip III. Finally, the script analyzes the iconography of Christ still alive and suffering in life’s last moment, showing the predilection of Francesco Maria II for this sacred image, chosen as his last gift to the King of Spain and as altarpiece for the church of SS. Crucifix in Casteldurante, where he wanted to be buried.